THE NAC CANNOT BE RUN LIKE A GANGSTER MAFIA

 

A Brutal Interrogation of Lies, Contradictions, and a Council in Crisis

By Thami akaMbongo Manzana

The latest media statement issued by the National Arts Council of South Africa (NAC), titled “NAC Confirms Continued Operational Delivery Amid Union Picket,” is not just misleading.

It is a calculated attempt to mask a crisis.

And when placed alongside a damning letter from the Minister of Sport, Arts and Culture — now circulating among artists — the situation becomes even more alarming.

Because what is being presented as “stability” may, in fact, be institutional dysfunction dressed up as control.

1. WHO IS ON STRIKE — NEHAWU OR NAC WORKERS?

The NAC repeatedly refers to National Education, Health and Allied Workers' Union (NEHAWU) as if it is an external force.

But let us be precise:

  • Is it NEHAWU that is on strike?
  • Or is it NAC employees who are members of NEHAWU?

Why is the NAC distancing itself from its own workers?

This is not accidental.

It is a deliberate attempt to:

  • Externalise the crisis
  • Avoid internal accountability
  • Reframe worker grievances as disruption

This is not an external problem. This is your staff.

2. “OPERATIONAL CONTINUITY” — OR MANUFACTURED ILLUSION?

The NAC claims “critical operations” are continuing.

Let us interrogate that fiction:

  • What exactly are these “critical operations”?
  • Does this mean the NAC can function without its full staff complement?
  • If so, why has it consistently claimed to be under-resourced?

Or is the truth this:

  • The payments being processed now are from work already completed by the same staff who are currently on strike?

If that is the case:

Is the NAC now taking credit for labour it is simultaneously undermining?

Further:

  • Can the NAC guarantee that the sector will not feel the backlog of these strike days?
  • Or is the plan to overburden staff post-strike to maintain the illusion of efficiency?

Who is fooling who?

3. PAYMENTS “ON SCHEDULE” — BEFORE OR AFTER THE STRIKE?

The NAC claims payments are being processed on schedule.

Let us demand clarity:

  • Are these payments from submissions processed before the strike began?
  • Or do they include submissions made during the strike?
  • Can the NAC provide a clear breakdown?

Because if these are pre-strike outputs:

Then this is not continuity — it is delayed execution of past work.

4. “TRESPASS INCIDENT” — CRIMINALISING WORKERS?

The NAC refers to a “trespass incident.”

Let us ask:

  • Has legal advice already been sought on this matter?
  • Against whom is this being positioned — outsiders or striking staff?

And critically:

  • When the NAC speaks of protecting “staff,” does it include the same workers currently on strike?

Because here is the contradiction:

You cannot claim to protect staff while treating them as a security concern.

And another uncomfortable truth:

  • How is the “integrity of the institution” protected while workers are outside protesting for days?

5. THE BROKEN PROMISE OF ENGAGEMENT

The NAC claims commitment to engagement.

Yet:

  • A meeting with the sector was promised for 26 March 2026

What happened?

  • Was this commitment made without full Council agreement?
  • Why has no new date been communicated?
  • Why is there silence instead of leadership?

Further:

  • What is the real status of engagement with the union?
  • Who exactly was invited to the NAC Strategy Workshop held outside the institution?

Transparency cannot be selective.

6. THE MINISTER’S LETTER: EVIDENCE OF DEEP ROT

Now let us confront what the NAC does not want the sector to focus on.

A letter from Minister Gayton McKenzie — — lays bare serious governance concerns.

According to the letter:

  • There were duplicate payments under PESP
  • A staggering R65 million was placed into a trust account
  • The Council approved projects not recommended by adjudication panels
  • There were allegations of interference in HR appointments
  • A ministerial moratorium on appointments may have been breached

These are not rumours.

These are issues raised at Ministerial level, requiring:

  • An independent investigation
  • Possible suspension of senior executives
  • Recusal of implicated Council members

Which raises explosive questions:

  • Has this independent investigation been initiated?
  • If yes, what are the findings?
  • If not, why not?
  • Are implicated Council members still participating in decision-making?
  • Have they recused themselves as recommended?
  • Are the same individuals influencing current decisions around the strike?

Is the current crisis a symptom of unresolved governance failures?

7. WHO IS REALLY RUNNING THE NAC?

The letter further raises concerns about specific Council conduct and oversight failures.

This forces us to ask:

  • Is the full NAC Council aware of all decisions being taken?
  • Or is power concentrated in the hands of a few individuals?
  • Are some Council members being shielded from scrutiny?
  • Are others being sidelined?

Is this a Council — or a controlled structure?

8. COMMITMENT TO THE SECTOR — OR EMPTY WORDS?

The NAC speaks of commitment.

The sector demands answers:

  • Will AOSF outcomes be announced on 31 March 2026?
  • Has compliance for 2026 Annual Funding begun?
  • Is Emergency Funding adjudication complete?
  • Has planning for PESP 7 started?

Or are these timelines already compromised?

CONCLUSION: ENOUGH OF THE LIES

The NAC must understand this:

You cannot run a public institution like a private empire.

You cannot:

  • Rewrite reality through media statements
  • Avoid accountability
  • Ignore workers
  • And expect the sector to remain silent

The Cultural and Creative Industries are watching.

And what they are seeing is deeply troubling.

An institution that is starting to behave less like a public body — and more like a gangster mafia.

The choice is simple:

  • Truth or propaganda
  • Accountability or control
  • Reform or collapse

Because right now:

The truth is not just hidden — it is being managed.

The Creative Passport is an independent platform focused on Arts, Culture and the Creative Industries. Readers are encouraged to follow, comment and engage constructively.

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